Celebrate FRANKENSTEIN’s 200th birthday with a Kindle ebook of FRAULEIN FRANKENSTEIN for Only 99 Cents!

1818 was a momentous year in Monsterdom, for it saw the first publication of the perennial Mary Shelley classic of Gothic fiction, Frankenstein. To celebrate, Mary and a few of her monster friends are inviting YOU to a special party…and YOU get the gift–FRAULEIN FRANKENSTEIN, the gripping sequel to Shelley’s classic written by New York Times bestselling novelist Stephen Woodworth, is on sale as a Kindle ebook for ONLY 99 CENTS! You can learn more about the novel and order the ebook by clicking the link below:

But hurry! This special offer is only good until Sunday, June 24th. Get your FRAULEIN today! And please let all your fellow Franken-friends know about this can’t-miss deal!

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Author Stephen Woodworth at the Vintage Paperback Show!

 

Calling all fans of THROUGH VIOLET EYES and FRAULEIN FRANKENSTEIN!

As many of you may already know, I and my lovely wife Kelly Dunn will be signing our books along with our illustrious colleagues at the annual Los Angeles Vintage Paperback Collectors Show tomorrow, Sunday, March 18th, at 2 p.m. I shall have copies of the Violet books and FRAULEIN FRANKENSTEIN for sale, as well as our handsome ONE NIGHT AT THE VILLA DIODATI chapbook from Shadowridge Press. Our fellow Shadowridge authors Dennis Etchison (Darkside, The Death Artist, Red Dreams), Peter Atkins (Hellbound: Hellraiser II, Morningstar, Big Thunder), and Tracy Carbone (Missing, Just Stories, The Rainbox) will be there for autographs, as well as such genre fiction luminaries as David Schow, Tim Powers, Christa Faust, Harry Turtledove, and many, many others. Get all the details here:

2018 Los Angeles Vintage Paperback Collectors Show

Hope you can join us! In the meantime…HAPPY ST. PATRICK’S DAY!!!

FRAULEIN FRANKENSTEIN–Share her with someone YOU love!

With Valentine’s Day just a few weeks away, FRAULEIN FRANKENSTEIN wants to bring you closer to that “special someone.” (Or just a friend who likes to read!) From now until Thursday, January 25th, you can get a copy of the Kindle ebook of FRAULEIN FRANKENSTEIN for *ONLY 99 CENTS*, a savings of more than 60%. What a deal!!! Here’s the link to order:

FRAULEIN FRANIKENSTEIN Kindle eBook Order Page on Amazon

For those of you who may have already taken advantage of previous specials to get a copy of the ebook, why not take this opportunity to but a copy for a friend? Amazon lets you send gift ebooks to anyone with an email address. Share the love!  🙂

And don’t forget about the beautiful Shadowridge Press paperback edition! Check it out here:

 

Lots of love to all of you!

Your Halloween VAMPIRE Playlist!

It’s our favorite time of year here at The Journals of Dr. Franken-Steve, and to get us in the mood for All Hallow’s Eve, we’re queuing up a hit parade of monster music. Since we’ve previously listed our fave Frankenstein tunes in honor of FRAULEIN FRANKENSTEIN, this time we’re going to do some bloodsucking bootie-shakin’ with those beloved members of the undead…VAMPIRES. So sink your fangs into these Top Vamp Tracks!

  1. “Bloodletting (The Vampire Song)” by Concrete Blonde: If you have the “ways and means to New Orleans,” then tune in to this ultimate vamp anthem that would make Ann Rice proud.
  2. “Bela Lugosi’s Dead” by Bauhaus: My own vampire bride Kelly Dunn debates whether this track really “counts” as a vampire song since it concerns the eponymous deceased actor and not the celebrated Count he played. I say any tune whose chorus is “Undead, undead, undead” belongs on this list. This brooding eulogy to Bela, the greatest Dracula of all time, is arguably the greatest Goth song of all time.
  3. “Love Song for a Vampire” by Annie Lennox: This beautiful, elegiac ballad was by far the most memorable thing about the Francis Ford Coppola film Bram Stoker’s Dracula. And someone should get Lennox to play a vampire—she’d be great!
  4. “Flesh and Bone” by Burning Brides: A wonderfully eerie and seductive song from the soundtrack to the criminally underrated vampire comedy rock musical film Suck. Burning Brides lead singer Dmitri Coats also played the goofy yet somehow still creepy vampire villain “Queenie” in the movie.
  5. “Moon Over Bourbon Street” by Sting: Speaking of New Orleans…the Big Easy seems to be Vampire Central for North America, and one could easily see Louis or Lestat nodding in agreement with this nameless narrator’s lament.
  6. “Vampires in Love” by The Misfits: A rocking punk ode to love between bloodsuckers.
  7. “Vampire Blues” by Neil Young: A deep cut from Mr. Young that indicts the real-life corporate leeches that are bleeding our planet dry. The rock legend played this rarity live for the first time ever this past year, suggesting how scarily relevant this cautionary lyric has become.
  8. “Drac’s Back” by The Bollock Brothers: A hilarious disco/rap cover version of a novelty song by singer and actor Andy Forray. Wait ’til you hear the backup singers squeal as Drac says, “I want to suck your…”!
  9. “Suck” by The Winners: Did somebody say “Suck”? This is the catchy title track to the aforementioned film of the same title. The movie’s ironically-named fictional rock band, the Winners are anything but. The comedy musical was written and directed by the multitalented Rob Stefaniuk, who also plays the Winners’ hapless lead singer and guitarist, and it features hysterical cameos from such rock luminaries as Alice Cooper, Iggy Pop, Alex Lifeson, and Henry Rollins. A must-see for all rock and vamp fans!
  10. “Lost Boys” by The 69 Eyes: This great Goth metal band from Finland sings in English and draws inspiration from many favorite Hollywood horror movies—in this case, the beloved vamp vehicle for Kiefer Sutherland and Corey Feldman. Another cool undead record by the band: “From Dusk ‘Til Dawn”
  11. “Nosferatu” by The Scared Stiffs: A splendidly moody instrumental by one of the best Halloween rock bands to haunt the night.
  12. “Vampires” by Godsmack: Spoken-word narration speculates on the psychological allure of vampirism while fuzzy, alt-rock guitars jam in the background in another Goth classic.
  13. “Vampire Girl” by Jonathan Richman: An infectious and funny paean to the vampire girl of your dreams.
  14. “Dracula’s Wedding” by OutKast: The ultimate love-’em-and-leave-’em bachelor confronts his own greatest fear: commitment. And you gotta love any disco-funk track that features a sinister harpsichord, right? 

Whew! That’s a lot of bats! And there’s plenty of other prime vamp tracks out there—we’d love to hear any of your pet tunes that we might have missed.

And to make your Halloween season complete, why not grab a copy of the ultimate monster read, FRAULEIN FRANKENSTEIN? The handsome Shadowridge Press paperback edition is available at the special discounted price of ONLY $9.99 for the holiday season, and you can get free shipping on qualifying orders. See the order page below for details:

 

Kindle readers can currently grab a copy of the FRAULEIN ebook for only $1.99 here:

 

Happy reading, and stay tuned for more “monster hits”!

Mark Your Monster Calendar! FRAULEIN FRANKENSTEIN Book Signing!

Greetings, Friends of FRAULEIN! I wanted to let you all know that I will be signing copies of the fabulous Shadowridge Press paperback edition of FRAULEIN FRANKENSTEIN at the venerable Dark Delicacies horror bookstore in Burbank, California, at 4pm on Saturday, July 8th.

You’ll also have the opportunity to get signed copies of books by other wonderful Shadowridge Press authors, including Dennis Etchison (The Death Artist, Red Dreams, The Blood Kiss), Tracy Carbone (The Proteus Cave, The Rainbox), and my ONE NIGHT AT THE VILLA DIODATI co-authors Kelly Dunn (Beloved of the Fallen, editor of Mutation Nation) and the irrepressible Peter Atkins (screenwriter of Hellbound: Hellraiser II and Wishmaster and author of Morningstar, Big Thunder, and Rumours of the Marvellous). We’ll have copies of the DIODATI chapbook available for purchase and signing, as well. Here’s a link to the Dark Delicacies website for more info, including directions to the store:

Dark Delicacies Bookstore Website

For those who can’t make it to Burbank on July 8th, you’ll be happy to hear that Dark Delicacies will take your pre-orders over the phone, and will ship your order for an extra charge. All of us at Shadowridge Press would like to express our sincere gratitude to Del and Sue Howison of Dark Delicacies for hosting the event.

Hope to see you all there!

 

FRAULEIN FRANKENSTEIN–The Paperback!

Rejoice, Friends of FRAULEIN!

Now you no longer have to read FRAULEIN FRANKENSTEIN on a screen. Many of you loyal fans have been longing to hold a real, physical copy of the novel in your hands since it was published as an ebook by Kindle Press last September. Now, publisher Robert Barr and the good folks of Shadowridge Press have made your dream a reality by putting out a beautiful new paperback edition of the book.

To celebrate the paperback’s release, I’ll be signing copies at the Vintage Paperback Show this Sunday, March 19th, at 2pm. And as a special bonus, everyone who buys the book will get a FREE copy of the gorgeous, illustrated chapbook of ONE NIGHT AT THE VILLA DIODATI, the Shadowridge compendium of the Gothic stories written exclusively for this blog. Just take a gander at this cover::

 

ONATVD cover Facebook

This amazing chapbook, a $10 value, is yours FREE with the purchase of the  FRAULEIN FRANKENSTEIN paperback (while supplies last). WHAT A DEAL!!!

So, if you are fortunate enough to live in Southern California, come to the Vintage Paperback Show, where you’ll find a slew of other great authors and books, including my Villa Diodati coauthors Kelly Dunn (Mutation Nation and Beloved of the Fallen) and Peter Atkins (Morningstar and Big Thunder and the screenplays for Hellraiser II, III, and IV). You may find details of the event here:

Los Angeles Vintage Paperback Show

Hope to see you there! And stay tuned for news of other upcoming signings and promotions.

For those of you who can’t make it to a SoCal signing…fear not! You may still order your heirloom-worthy paperback copy of FRAULEIN FRANKENSTEIN here:

Paperback FRAULEIN FRANKSTEIN Order Page on Amazon

You may also purchase a copy of the ONE NIGHT AT THE VILLA DIODATI chapbook here:

One Night at the Villa Diodati Order Page on Amazon

Happy reading and STAY GOTHIC!!!

TO BOLDLY GO WHERE WANNABE TREKKIES HAVE GONE BEFORE!: My Adventures as a Next Generation Extra

 

Okay, this doesn’t really have much to do with my new novel FRAULEIN FRANKENSTEIN (which you may find for purchase here on Amazon), but an interested reader stumbled across the fact that, for a brief time in my checkered past, I served as an extra and stand-in on Star Trek: The Next Generation, thereby upping my “geek cred” among sci-fi nerds throughout the Federation. Said reader asked if I would share some reminiscences of my Trek sojourn, and since followers of this blog tend to be fans of all things fantastic, I thought you might enjoy hearing some of the Adventures of Ensign Woodworth.

My Hollywood experience prior to Trek had been limited to some extra work on that timeless classic Teen Wolf, Too!, which filmed on campus at my alma mater Pomona College while I was a student there. I composed part of what the filmmakers referred to as “background action” or “atmosphere.” I found the latter term rather insulting, since it made us extras sound like nebulous, gaseous beings who would simply dissipate when the director yelled “Cut!” Nevertheless, I had fun on the set, despite catching a horrible stomach flu that nearly caused me to puke on star Jason Bateman as I rode behind him in a shuttle van when the last day’s shoot wrapped.

My first gig on Next Generation was as an unnamed, uncredited (of course) “security officer,” which in Classic Trek would have made me a “redshirt.” (Hence, the photo above.)  Alas, I did not get to die horribly in the first act of either of the two episodes in which I was cast! (I would be remiss if I did not express gratitude to my childhood friend David Trotti, who was 2nd Assistant Director on the show and without whom I would never have had the opportunity to take part in it)

My stint began with the show’s costumers at Paramount Studios fitting me for my sleek, one-piece gold jumpsuit Next Generation uniform. To ensure an absolutely wrinkle-free veneer, I had to wear a special tuck-in tank top and brief undergarment combination. The jumpsuit worn over the undergarment consisted of a stretchy, Lycra-type material with bungee-type straps that ran underneath the soles of the costume’s boots to pull the entire outfit taut. This arrangement made the outfit look super-snappy, but it felt like I had giant rubber bands dragging down my shoulders all day. Furthermore, the uniform had no fly; in order to relieve yourself, you had to unzip the jumpsuit and essentially drop the entire costume down around your knees. The design made me wonder if people in the future will be genetically altered so they never need to go to the bathroom.

Sadly, I only got to be a human crew member on Next Generation. I was hoping I might get cast as an alien, not only because that would be even cooler from a geek standpoint, but because I’d get a “bump” in pay, as we extras say. I gather the amount of the “bump” depended on what percentage of your face they had to cover with makeup: a little bit more for a latex wrinkle across the bridge of your nose, more still for the ridged scalp of a Klingon, and most of all if they had to remake your whole visage.

Both of the scenes for which I served as “atmosphere” for Trek took place in Ten Forward, the lounge where Enterprise crew members go to unwind after a hard day of dodging photon torpedoes and repairing overloaded dilithium-crystal warp drives. No doubt this pub serves its squeaky-clean crew Trek patrons nothing but non-alcoholic smoothies and juice cocktails! (Actually, I vaguely recall reading a copy of the Next Generation series bible that stated that the drinks in Ten Forward are chemically designed to give crew members a pleasant buzz that, somehow, they can immediately shake off if the ship needs all hands sober on deck for an emergency. No bar fights, and the Enterprise navigators are never DUI! And, as I mentioned earlier, you never have to go to the bathroom, even after all that drinking. What a truly utopian future awaits us in the Trek universe!)

I first reported for duty in the Next Generation episode “Masks,” in which an alien archive starts to transform the Enterprise into a replica of what looks to be a Mayan temple. As I indicated, I was in a crowd scene in Ten Forward, strolling through the bar in the background with a colorful (and completely innocuous) cocktail in one hand while chatting with an attractive red-headed female navigator. Unfortunately, this scene appears to have ended up on the proverbial cutting-room floor. (Not because of me, I hope!) At least, I have been unable to spot myself in the show in the couple of times I’ve watched the episode.

My second tour of duty on the Enterprise came in the episode “Bloodlines,” which centers around a young man who may—or may not—be Captain Jean-Luc Picard’s son. Again, the scene takes place in Ten Forward, where Picard and his presumed offspring are having an intense discussion. This time, I actually made the final cut: You can see me (albeit out-of-focus) in my gold security officer’s uniform seated at a table behind Picard’s “son,” where I am playing a futuristic checkers game with an older, African-American crew member. The actor playing my opponent was a very warm, funny gentleman who cracked me up with the flamboyant, enthusiastic jumps he made with his space-age checkers. Neither of us knew any rules for the game we were supposed to be playing, but whatever they were, he was clearly winning.

The rest of my work on Next Generation was off-camera as a stand-in for Picard’s “son” and for Brent Spiner, beloved by the known universe as that affable android Commander Data. As I was of a similar height and hair color to these two actors, the camera crew would use me to set the lighting, sharpen their focus, and practice any camera movements prior to the actual shot. I have particularly fond memories of Brent Spiner, who went out of his way to introduce himself and shake hands with me the first day I served as his stand-in. (Shaking hands with Data—I was in geek heaven!)

Spiner was as much fun off-camera as on. In between takes, he and Michael Dorn, who played the formidable Klingon Worf, would amuse themselves (and everyone else) by doing improv comedy. During one rehearsal for a scene on the Bridge, Patrick Stewart as Picard barked an order at the two of them, and they both dropped to the ground and crawled away like groveling slaves. On another occasion, they adopted the accents of Borscht Belt comedians and ad-libbed an incredible routine as the screenwriting Epstein brothers, doing a hilarious Yiddish version of Casablanca. (“This could be the start of a beautiful frayndshaft!”)

Messrs. Spiner & Dorn were not the only ones with a sense of humor on the show. In this pre-HD era, the set designers took advantage of the fact that the home audience would never be able to read the blurry, out-of-focus labels on the Enterprise’s control panels. They embedded several inside jokes on the Bridge and elsewhere, including a set of buttons devoted to the “Improbability Drive” from Hitchhiker’s Guide to the Galaxy.

My contact with the other principal actors on the series was limited, although I was seated on the ground near Patrick Stewart at one point when he stumbled slightly and used my shoulder to catch himself, for which he apologized like the English gentleman he is. (Picard almost fell on me! I was in geek heaven again.)

Those are the high points of my personal Star Trek voyage. I would love to post a picture of me in my security officer’s outfit, but everything Trek-related is so thoroughly copyrighted and trademarked that you’ll just have to take my word about how dashing I looked in uniform. Or squint really hard as you watch that one Ten Forward scene in “Bloodlines.”

Until our next blog journey…LIVE LONG AND PROSPER!